
We’ve been exploring the first key pillar of novel construction—concept with a kicker. Last week I explained that a novel has to have an overarching concept with a unique, compelling kicker. But this is not to be confused with a plot twist or surprise, which is a kicker in its own right. But not the kind of kicker I’m talking about. A novel or movie has to stand on a strong pillar of concept all the way through. It can’t depend on one high moment in the story—regardless of placement in the plot—to support the “structure.”
If you’ve read the previous posts, I hope you are now getting a bit clearer about this concept of concept. Let’s take this a step further. Continue Reading…