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Conflict in Story: Character versus Self

This post is a reprint from a few years ago, shared again to help you nail the opposition in your story.

Traditionally, there are four general types of opposition at the heart of a story. While our protagonist might face multiple kinds of opposition, the primary one will usually fall into man vs. man, man vs. nature, man vs. society, or man vs. self (and of course you can replace man with woman, or robot, or alien).

In story structure, there are key scenes in which the opposition rears its/his/her ugly head and “pinches” the protagonist—hence why these are called “pinch points.”

Two specific pinch points occur in traditional story structure, the first one falling between the 25% mark (turning point #2) and the midpoint (turning point #3) and the second one around the 67% mark (before the Dark Night of the Soul moment).

The purpose of the first pinch point is generally to introduce the opposition to the reader. The second pinch point reveals the full force of the opposition. Continue Reading…

Crafting a Compelling Story Premise

UPCOMING: I’m doing a workshop on crafting a terrific premise on January 11, 2-4 p.m. Pacific Time (it will be recorded, so you can watch it later if you can’t attend). Space is limited, so be sure to enroll ASAP. And bring your premise statement to share and get feedback on it! 

Below is a reprint of a post I wrote a few years back, published again here to help you understand what a premise is and why it’s so important to come up with one that is fresh and compelling!

Most writers are clear about the inciting incident or initial disturbance that has to come near the start of the book. Yet, I see way too many novels in which there really isn’t a strong impacting incident. Or it’s in the wrong place.

I recently did a fifty-page critique on a novel (which wasn’t the author’s first novel either) that had fifty pages of setup. Backstory. Telling all about how the characters met, fell in love, got married, etc. What was the stated premise? Basically, it told of a man who has something precious taken from him and must face danger and horror to get that thing back. Huh? What did the first fifty pages have to do with any of that? Nothing. Continue Reading…

Digging to Find the Theme in Your Novel

When you ask a fiction writer what her story is about, she will usually explain the plot. Yes, plot is what the story is about, but theme is what the story is really about, below the plot.

Do you really have to have a theme for your book? Not necessarily in a formal sense, but think about theme as some essential take-away thought you want to leave your reader with when they finish the book. Theme speaks to your plot, but more so to the heart of your story. One way to get to your theme is to ask yourself just why you are writing this book, anyway.

Do you have a message or something you want to say to your readers, some commentary on life, society, government, faith, or some other issue? Even if you are not trying to push a “message” per se, your book should be about something. Continue Reading…

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