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The Burden on Novelists to Craft a Great Ending

For this week’s Throwback Thursday, we’re looking at excerpts from past posts on Live Write Thrive that tie in with our exploration on scene structure. Last week’s Throwback took a look at scene endings, so this week we’re looking at novel endings.

From The Not-So-Long Good-bye:

Writers tend to get a bit tired, burned out, and sometimes even a little sick of the story they’ve been crafting for months (years?) by the time they see the home stretch and often they push through or rush to wrap it all up so they can figure out where they left their life, kids, and keys that seem to have gone AWOL while they were hunched over their computer. But the ending scenes carry the next biggest burden in your novel, and so if you’re feeling the urge to hurry up and get the $%&*@ book done, or if you’ve already written an ending but it feels flat and ineffective, I’m hoping some of the suggestions I propose will be of help to you.

I recently heard the expression “Get in quickly and out quickly.” I hadn’t heard that before, and it came from a critique partner who felt my fairly short wrap-up ending to my epic novel Intended for Harm was right on. I recognize the truth in those words, for you don’t want to drag either the beginning or the ending of your novel. A “not-so-long good-bye” might just be a good thing. But it needs to be oh-so-right, short or not.

Oh Great—Another Burden

So, just as you have to cram in so many elements in a few short pages in the opening of your story, you also have to accomplish a number of big things in your last few pages. Continue Reading…

First Pages of Best-Selling Novels: Closer to the Heart

I couldn’t resist including one of my favorite fantasy author’s novels. I’ve read most of Mercedes Lackey’s books, as have both my daughters. While they were teenagers, I think we passed her novels around the way we passed the chips and salsa. She is a master at creating believable fantasy worlds, and her world of Valdemar long stays in my mind, decades after reading dozens of her novels those many years ago.

Lackey has a very distinct, simple storytelling style, and does a great job at getting into character.  I thought Closer to the Heart would be a nice first-page example from this prolific author.

So let’s jump in, and then we’ll use my first-page checklist to examine what elements she’s nailed on this first page.

Note this is book 2 in one of her (many) series, and as we discussed in last week’s post, it’s important in a series to ensure new readers won’t have trouble getting into the story, as well as avoid too much “catching up” and telling what’s happened before the present action of the new installment. Continue Reading…

Story Endings That Are Just Right

For this week’s Throwback Thursday, we’re looking at excerpts from past posts on Live Write Thrive that tie in with our exploration on scene structure.

From Endings That Spark Beginnings:

Just like beginnings, endings carry a special burden. The reader must be left with a feeling, like an aftertaste. So you need to stop and think. Just what feeling do you want the reader to have? Shock, sadness, warmth, confusion, curiosity? You want to keep in mind that the basic storytelling structure for a novel is action—reaction—action—reaction.

Too many scenes end with a character experiencing something and then . . . it ends. We need to see how the character reacts to what has just happened. You don’t have to do this every time, and in some genres where plot is king (suspense/thrillers), you may often end with the building exploding and you have no idea if your character just died. But as a general rule, you want to be with your character and see their reaction, feeling, or response—even if just told in one line—to what has just happened. Continue Reading…

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