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C. S. Lakin

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Getting to the Core Idea in your Novel

Getting to the Core Idea in your Novel

October 9, 2013

As we continue on with exploring cinematic secrets that can supercharge your novel, we’re going to focus on something that is crucial…

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How Novelists Can Use a Filmmaker’s Eye

How Novelists Can Use a Filmmaker’s Eye

October 2, 2013

We’re now going to spend quite a few weeks looking at the purview of filmmakers. Why? Because there is so…

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A Variety of Shots to Paint the Big Picture

A Variety of Shots to Paint the Big Picture

September 25, 2013

We’ve been looking at how adept and creative novelists use a combination of “camera shots” to structure their scenes, mimicking…

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Another Look at Combined Camera Shots in Novels

Another Look at Combined Camera Shots in Novels

September 18, 2013

This week we’re going to continue looking at combined camera shots in novel excerpts. Not every scene in every novel…

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Stringing the Segments of Shots Together

Stringing the Segments of Shots Together

September 11, 2013

After spending many months going over just some of the basic camera shots and how novelists can transcribe these cinematic…

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Orchestrating the Symphony of Shots

Orchestrating the Symphony of Shots

September 4, 2013

We’ve spent much time going over camera shots, looking at various stationary and moving shots used in screenplays. If you…

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Cinematic POV—Anything but Subjective

Cinematic POV—Anything but Subjective

August 28, 2013

In last week’s post I introduced the POV shot used in movie scripts. In a screenplay, when a POV shot…

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Seeing through Your Character’s Eyes

Seeing through Your Character’s Eyes

August 21, 2013

Novelists are very familiar with the term POV, or point of view. Whether only one point of view is used…

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Follow Along for a Powerful Camera Shot

Follow Along for a Powerful Camera Shot

August 14, 2013

Depending on the point of view and style of writing, moving shots can either seem like they are occurring inside…

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