The Punch Is in the Details
As we examine the different stationary camera shots, we want to take a moment to look at the Insert Shot….
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Series of Shots for High Tension
In our exploration of using cinematic technique in fiction writing, we began looking at a camera directive called Series of Shots….
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A Series of Shots for Quick Action
In our exploration of stationary camera shots, we’re now going to take a look at another commonly used camera directive:…
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Montages for Imagery and Altered States of Mind
We’ve been looking at Montage Shots as a way to create specific effects in a novel’s scenes. Last week I…
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Your Life Flashing before Your Eyes
Has it ever happened to you—had your life flash before your eyes? What about one of your characters in your…
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Using Montages to Create Powerful Imagery
Now that we’ve literally covered the “distance” with a look at the stationary camera shots that are set at certain…
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Long Shots—Too Far to Really Tell
We’ve been looking at the three basic stationary distance shots and have covered Close-Ups (Close Shots) and Full Shots (Medium…
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Focusing the Camera on What Your Character Notices
While we’re looking at Full Shots (or Medium Shots), I’d like to share a great example in Leif Enger’s beautiful…
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Full Shot for Full Effect
We’ve taken a good look at Close-Up shots—the first of the three basic stationary camera shots used in movies. Now…
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