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C. S. Lakin

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Using Close-Up Shots to Give Sensory Detail

Using Close-Up Shots to Give Sensory Detail

April 3, 2013

Back in my first post kicking off this year-long course of supercharging your novel using cinematic technique, I told a…

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Close-Up and Personal—One Stationary Camera Shot

Close-Up and Personal—One Stationary Camera Shot

March 27, 2013

We’re now moving into stationary camera shots in our exploration of cinematic technique that novelists can borrow. As I touched…

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Calling the Shots in Screenplays

Calling the Shots in Screenplays

March 20, 2013

I love reading through older screenplays. Decades ago, it was the screenwriter’s job to delineate every single shot in a…

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Wrapping Up a Look at Establishing Shots

Wrapping Up a Look at Establishing Shots

March 13, 2013

I want to touch on a few insights regarding Establishing Shots and how they come into play in writing twenty-first-century…

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Just Enough Sensory Detail to Set the Stage

Just Enough Sensory Detail to Set the Stage

March 6, 2013

We’ve been looking at Establishing Shots used in scripts, and we’ve seen how they don’t need to be lengthy. You…

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Establishing Shots That Reveal Character

Establishing Shots That Reveal Character

February 27, 2013

Last week I began discussing Establishing Shots used in movies and how they help make clear in just a few…

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An Introduction to Stationary Camera Shots

An Introduction to Stationary Camera Shots

February 20, 2013

We’re now going to start going deep into cinematic technique by looking at numerous camera shots over the next few…

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String Shots Together to Make Dynamic Scenes

String Shots Together to Make Dynamic Scenes

February 13, 2013

We’re taking a look at how movies are filmed. If you haven’t noticed, movies are made up of a string…

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Novelists Need to Be Film Editors Too

Novelists Need to Be Film Editors Too

February 6, 2013

Last week we began looking at film editing, and how it’s changed over the decades in the movie world. Now, you…

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