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Tag Archive - Establishing Shots

3 Powerful Cinematic Techniques for Novelists

November 15, 2021 in Nailing Scene Structure, Novel Structure, Shoot Your Novel with 0 Comments

Readers will often stop reading before they finish the first page of your story. While this has always been true, in this fast-paced age that foments impatience, it’s even more true.

If a writer doesn’t deliver what a reader hopes for on that first page, it’s going to be tough to convince the reader to stick around for the whole chapter—let alone the whole book.

There are a lot of things needed on a first page of a novel or short story. And while it’s not a hard-and-fast rule that all these elements have to show up on page 1, the more elements a writer includes, the better.

This, of course, is going to vary a lot. And if a writer is starting with a prologue or some scene that doesn’t introduce the protagonist, that makes a difference as well. But the overall objective, regardless of opening scene, isn’t going to change. And that is to engage the reader. Continue Reading…

3 Ways to Not Lose Your Readers on Your First Page

March 21, 2016 in First Pages, Nailing Scene Structure with 0 Comments

Readers will often stop reading before they finish the first page of your story. While this has always been true, in this fast-paced age that foments impatience, it’s even more true.

If a writer doesn’t deliver what a reader hopes for on that first page, it’s going to be tough to convince the reader to stick around for the whole chapter—let alone the whole book.

We’ve been looking at all the things needed on a first page of a novel or short story. And while it’s not a hard-and-fast rule that all these elements have to show up on page 1, the more elements a writer includes, the better.

Scene Structure: Should Writers Begin Scenes in Omniscient POV?

March 17, 2016 in Nailing Scene Structure, Throwback Thursday with 4 Comments

For this week’s Throwback Thursday, we’re looking at excerpts from past posts on Live Write Thrive that tie in with our exploration on scene structure.

From Wrapping Up a Look at Establishing Shots:

I want to touch on a few insights regarding Establishing Shots and how they come into play in writing twenty-first-century fiction. We are taught that it’s important to stay in one point of view in a scene. You may have a novel with a dozen POV characters (I often do in my novels), but as long as you keep each scene in one character’s head, you are okay.

Sure, writers can break this rule, but if you take a good look at the majority of novels published (and especially the best sellers), you’ll find it’s a fairly accepted rule. And there’s a reason for it. It can be jarring and disjointed to skip around in heads when you are playing out a scene.