Tag Archive - Masterful Description

A Look at Masterful Voice

I love talking about voice in fiction. I veer off from other “experts” in definition about voice. I believe that some people are referring to the writer’s style when they talk about voice.

Take a listen to what literary Donald Maass says about voice in Writing the Breakout Novel:

“I am looking for authors with a distinctive voice.” I hear that from editors over lunch almost as often as I hear, “I am looking for big, well-written thrillers.”

What the heck is “voice”? By this, do editors mean “style”? I do not think so. By voice, I think they mean not only a unique way of putting words together, but a unique sensibility, a distinctive way of looking at the world, an outlook that enriches an author’s oeuvre. They want to read an author who is like no other. An original. A standout. A voice.

How can you develop your voice? To some extent it happens all by itself. Stories come from the subconscious. What drives you to write, to some extent, are your own unresolved inner conflicts. Have you noticed your favorite authors have character types that recur? Plot turns that feel familiar? Descriptive details that you would swear you have read before (a yellow bowl, a slant of light, an inch of cigarette ash)? That is the subconscious at work.

You can facilitate voice by giving yourself the freedom to say things in your own unique way. You do not talk exactly like anyone else, right? Why should you write like everyone else?

I’ve written about this on numerous occasions, and I go deep into voice in The 12 Key Pillars of Novel Construction and 5 Editors Tackle the 12 Fatal Flaws of Fiction Writing. Continue Reading…

Masterful Narrative Scenes Part 2

Narrative scenes are ones in which the story is being told, not shown. Last week we looked at a passage from Lisa Gardner’s thriller Right Behind Youwhich gave us an excellent example of a POV character narrating a tale.

This is a common technique in the mystery/suspense genre, and especially in the opening scene, which sometimes is in omniscient POV.

While writers are admonished to “show, don’t tell,” there are times when it’s masterful and the best method to instead narrate the information needed to get across to readers.

When artfully done, narrative scenes can be as riveting as cinematic scenes that play out as if watching a movie. Continue Reading…

Masterful Narrative Scenes in Novels

Show, don’t tell. Yeah, we know that’s the rule. But there are times when scenes can be masterfully told by the POV character. Sometimes a character is telling a story, relating a memory, and if done well, it’s just as gripping as if the scene were played out in cinematic fashion.

I haven’t seen much written on the “narrative” scene, but this is a technique that suspense writer Lisa Gardner excels at. While narrative scenes can be in first or third person, the most effective ones I’ve read are in first person. What makes for great narrative scenes is the character voice.

In fact, the lack of that voice would risk boring readers. To me, openings of many best sellers (which we’ve examined in many of the First Pages of Best Sellers series on this blog), which are mostly narrative, are plain boring. And that’s because they lack a strong POV character voice.

We looked at some excerpts from Ron Hansen’s novel The Assassination of Jesse James and noted how his writing style or author “voice” made the narrative riveting (at least to me).

These are two different things. You may have an overall writing style like Hansen’s that infiltrates every page such that the only times you really get the “character voice” is in the dialogue. The storytelling voice can be consistent throughout a novel and set a specific tone or patina over the story. Hansen’s book, as I noted, reads like a biography, and I believe his choice of this stylistic voice was deliberate, to give this effect. Continue Reading…

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