Tag Archive - Emotions

The Emotional Power of Connected Settings

Chances are, you’ve heard of deep point of view. Imagine a camera lens that zooms in for a close-up; deep POV is when the description filters directly through the point-of-view character (usually the protagonist) on a deep, emotional level.

When readers see what he sees and feel what he feels, it allows for intimate characterization and creates a shared experience in which the story comes alive through the character’s senses, thoughts, beliefs, emotional focus, and judgments.

Not every story uses deep POV, but all writers work to create a level of closeness between the character and reader, which requires a deft hand to bring about. The setting is the story element that facilitates this.

Experiencing details from the setting through the protagonist’s emotions and senses makes the reader feel truly part of the story. This means that choosing the right setting for each scene is important to not only help events unfold but increases reader-character connection. Continue Reading…

The Secret to Getting Readers to React Emotionally to Your Writing

Getting readers to feel something from our writing is hard. Even harder is to get them to feel complex emotions that you can’t really name. Yet, a masterful writer will accomplish this. A masterful writer knows exactly what she wants her readers to feel and will write her scenes with that goal in mind.

Hemingway said, “Find what gave you the emotion . . . Then write it down, making it clear so the reader will see it too and have the same feeling as you had.”

Why does this work? Because all humans, for the most part, have the same emotional makeup. Behavior that scares, infuriates, humiliates, or alienates one person will generate the same reaction in others. You will never get 100% of your readers to feel exactly the same, but you can come pretty darn close if you are an emotional master. Continue Reading…

Every Novel Scene Should Contain a Death

I hope that catchy title intrigues you. I’ll explain.

I’ve launched my new online course Emotional Mastery for Fiction Writers, and it goes deep into both character and reader emotion.

One very important emotional aspect of a novel is character change. But I bet you haven’t thought of change as a kind of death.

Author and writing instructor James Scott Bell says every scene should contain a death. What does he mean? He’s not talking only about literal death, which might be the case in a suspense/thriller or murder mystery. He means we want our POV character to change by the end of every scene in some small or large way.

In that moment, something should have died: a dream, an opinion, a relationship, a hope, an assumption, a fear or worry … and so on.  Continue Reading…

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