Tag Archive - Fatal Flaws of Fiction Writing

The 10 Most Important Questions to Ask about Your Scenes

In my work as a professional freelance copyeditor and critiquer for publishers, literary agents, and authors in six continents, I wade through something like two hundred manuscripts a year.

It probably won’t surprise you to hear that I come across certain flaws repeatedly in many—if not most—of the manuscripts I examine. These issues are especially endemic to first novels, and when pointed out to the authors, they seem so obvious. They say, “Why didn’t I notice these problems?”

Because of lack of adequate writing experience, helpful critical feedback, and sufficient skill development and training, writers don’t realize they aren’t showing enough—and especially in a scene’s opening paragraphs—to help readers picture where a character is and when the scene is taking place in the story.

The challenge for writers is in determining how and how much to convey to readers what the writer is seeing in her own mind. Continue Reading…

The Perils of Purple Prose

This post is an excerpt from the book 5 Editors Tackle the 12 Fatal Flaws of Fiction Writing. Robin Patchen dives into purple prose to show you what that is and how to avoid it in your writing.

What do you want people to experience when they read your novel? Do you want them to marvel at your fabulous writing skills? Are you hoping they’ll be impressed by your outstanding grasp of grammar? Perhaps you want to dazzle them with your exceptional vocabulary?

Or do you want them to experience a story?

Truth is, often times, you can either impress people with your prose or you can tell them a story, but you can’t do both. So many of my editing clients’ manuscripts are riddled with prose so filled with flowery language that the meaning is lost. I find myself offering the same advice over and over, my take on Nike’s slogan: Just say it. Continue Reading…

4 Key Ways to Improve Tension and Pacing in Your Novel

Pacing and tension aren’t always easy for writers to assess in their scenes. How can you tell if your scene is dragging and there is little tension? How do you know when to speed up or slow down pacing for best effect?

Let’s bring it all together in four key points, from a previous post and excerpt from The Fatal Flaws of Fiction Writing.

 Don’t Forget the Conflict . . .

 Inner and outer conflict. First, overall, you want your pages full to the brim with conflict. Meaningful conflict. Showing a character fussing for a full page about her lousy manicure isn’t all that meaningful.

Now, that situation could be the center of a really hilarious comedic moment, and if so, terrific. Humor—great humor—is so often overlooked, and it ramps up pacing and engages readers. But not all novels are full of funny moments.

Conflict is tension. Meaningful conflict creates strong tension. Hemingway said, “Don’t mistake movement for action.” Just because you have a lot of things happening, plot-wise, doesn’t mean anything is really happening. You could have tons of exciting car chases and plane crashes and shoot-outs and the reader could be dozing off, nose planting into your book. Continue Reading…

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