Tag Archive - Online courses

Premise Determines How Many Characters You Should Have in Your Novel

When I think about the many novels I’ve written, I realize I don’t always start with a plot idea. Sometimes a topic or theme intrigues me, or I’ll have an image of a character in the throes of a moral dilemma. I remember reading about how C. S. Lewis came up with his Narnia series. He had a picture in his mind of a faun carrying a parcel and an umbrella through a snowy wood. From there, the The Lion, The Witch, and the Wardrobe sprang into existence.

The novel I’m currently writing, a supernatural thriller called Lightning Man, also was sparked by a picture in my head. I saw a man at the top of a mountain, his arms outstretched in a messianic surrender to the heavens, willing lightning to strike him for the tenth time, intending to stop a terrorist by sacrificing his life as he grips the bad guy. From there I had to ask a lot of questions to find my story, and I encourage you to do the same with the ideas that excite you.

I wove a complex plot around that character and climactic moment I saw in my head (it’s taken me a couple of years, but it’s all in place now). But it all started with a picture of a nebulous character. Continue Reading…

Every Novel Scene Should Contain a Death

I hope that catchy title intrigues you. I’ll explain.

I’ve launched my new online course Emotional Mastery for Fiction Writers, and it goes deep into both character and reader emotion.

One very important emotional aspect of a novel is character change. But I bet you haven’t thought of change as a kind of death.

Author and writing instructor James Scott Bell says every scene should contain a death. What does he mean? He’s not talking only about literal death, which might be the case in a suspense/thriller or murder mystery. He means we want our POV character to change by the end of every scene in some small or large way.

In that moment, something should have died: a dream, an opinion, a relationship, a hope, an assumption, a fear or worry … and so on.  Continue Reading…

Mastering Emotion a Must for Fiction Writers

One of the biggest complaints I hear from literary agents is the manuscripts they read fail to move them.

They read terrific plots, steamy romance, and venture into creative sci-fi worlds and they feel nothing. Blah. Boring.

The stories are not engaging them. They are not responding emotionally.

That’s a bad thing. And when your readers feel this way, when they dig into your novel, that’s bad too.

But here’s the thing: getting readers to not only feel something but feel complex emotions, specifically triggered by a writer, takes real talent on that writer’s part. It takes mastery. Continue Reading…

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