Tag Archive - writing craft

A Peek inside the Envelope

Sol Stein, the famous editor, author, and writing instructor, has a very short chapter in his classic book Stein on Writing that he calls “Creating the Envelope.” As I looked through my numerous books on writing craft, I drifted toward his book (which happens a lot), and was reminded again of the best advice to give writers regarding setting details.

I spoke last time of exploring your character’s feelings and responses to setting, to make setting personal and dynamic in your novel, as well as to give it heart. There’s nothing more boring in a novel than a paragraph of dry narrative to describe each new place your character finds himself in (well, it’s up there with trite dialog). But this week I want to talk about boiling down the essence of a locale or setting in a scene, and Stein’s “envelope” really is the best way to do it. Continue Reading…

Settings in Your Novel That Work As Triggers

When choosing settings for your scenes, you want to think about the kinds of places that will allow the emotions, needs, dreams, and fears of your characters to come out. Certain places will trigger these things to come to the surface and will stir memories. Your character has a past, and even if she never visits any of the places in her past in your novel, other places can draw out feelings and memories. This happens to us all the time.

Of course, if you are putting your characters in places they’ve been before, or they are living in the same town their whole life, those memories and feelings are closer to the surface. The point it, you want to use your setting to help bring out your themes, drive your plot, and reveal character. You don’t have to do this, but by ignoring setting you are missing out on a great tool in your writer’s toolbox that you can use in a powerful way.

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Endings that Ruin Your Novel

Have you ever read a great book that carries you all the way to the end, and then the ending is so disappointing you feel cheated? I’ve felt that way many times, and usually it’s because the ending doesn’t fit the theme and story, or the characters behave so contrary to the way they’ve been portrayed that I just don’t believe it. On some occasions the author has been promising certain things, building up my anticipation, but when the moment comes, she breaks her promise and the ending falls flat.

I wonder if authors sometimes write these kinds of endings because they think they will sell more books or add more drama. One book that comes to mind (sorry if this offends anyone) is The Horse Whisperer, which I really did enjoy a lot. The premise and story line were great, the conflict throughout was believable, and the characters were engaging and full-dimensional. That is, until the ending. I suppose Robert Redford (who optioned, starred in, and directed the movie, from what I understand) disliked the ending too, for in the movie he came up with a new ending that really did work and was believable. I’m glad he did. I had one of those moments where I wanted to throw the book across the room while screaming, “Oh come on! You’ve got to be kidding.” Continue Reading…

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