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Using the Ten Key Scene Structure to Frame Up Your Novel

You’ve spent days, maybe weeks or months, brainstorming the terrific novel you’re about to write. You’re sure you have a killer concept that’s original and compelling.

You’ve studied your genre and torn apart best sellers in order to ensure you know just how to write a novel that has the potential to sell big. Your folder is full of great scene ideas, and maybe you’ve put your scenes on index cards and you’re ready to lay out your plot from start to finish.

BUT . . . now what do you do? How do you determine which scenes go where? And how do you know you even have the best scenes for your plot?

Do you have too many nothing or irrelevant scenes? Not enough important ones? You wonder: Is my story sketchy? Do I need a subplot? Will the action sag in the middle? Will readers get bored and throw my book across the room? Continue Reading…

How to Make Your Sentences More Descriptive

Today’s guest post is by Jordan Conrad.

The purpose of writing is to communicate information. This is true for writing of all types—for fiction and nonfiction, for creative and technical, for business and legal.

A work of fiction communicates information by telling a story, while an email to an employee communicates information in a much more direct way.

In either case, the author accomplishes the goal of information sharing by using descriptive language to convey detail.

Here is a passage that isn’t very descriptive:

  • Beth first met her spouse in California.

The sentence is fine grammatically, but it isn’t very interesting. What were they doing in California? How did they meet? Did they fall in love head over heels, or did their relationship grow over time as they got to know one another? Continue Reading…

How to Hook Readers and Reel Them into Your Scenes

We toss around the word hook when we talk about stories. What’s the hook? we ask. Sometimes we’re talking about the overall premise: what component to the story idea is unique, compelling, intriguing. Othertimes we’re talking about the first few lines of a novel (or first line) that is to be crafted in a way to grab readers and make them want to read more.

But that’s not all the hooks we need. We’re on the hook for coming up with great openings for every scene we write. Sure, novels don’t have a killer first-line hook for every scene, but we certainly want to open each scene strong.

That usually means ditching explanation and backstory and dull description of place and weather. Instead, a more effective way to hook readers into a scene is to consider these things:

  • The tone or mood you need to set that implies the POV character’s state of mind and emotion.
  • The situation you can insert your character into that is already underway in an interesting manner (in other words, don’t start scenes with your character waking up, then brushing his teeth, then getting dressed, for example).
  • Some element of mystery or microtension that creates curiosity.

Sure, a catchy first line or paragraph is helpful to hook readers, but you can’t always be that snappy with every scene opening, nor would it be a good idea. Continue Reading…

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