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Conflict in Story: Character versus Self

January 16, 2023 in Nailing Scene Structure with 0 Comments

This post is a reprint from a few years ago, shared again to help you nail the opposition in your story.

Traditionally, there are four general types of opposition at the heart of a story. While our protagonist might face multiple kinds of opposition, the primary one will usually fall into man vs. man, man vs. nature, man vs. society, or man vs. self (and of course you can replace man with woman, or robot, or alien).

In story structure, there are key scenes in which the opposition rears its/his/her ugly head and “pinches” the protagonist—hence why these are called “pinch points.”

Two specific pinch points occur in traditional story structure, the first one falling between the 25% mark (turning point #2) and the midpoint (turning point #3) and the second one around the 67% mark (before the Dark Night of the Soul moment).

The purpose of the first pinch point is generally to introduce the opposition to the reader. The second pinch point reveals the full force of the opposition. Continue Reading…

12 Weeks to Writing Your 10 Key Scenes

August 2, 2021 in Novel Structure with 0 Comments

Anyone who tells you that writing a novel is easy doesn’t know what they’re talking about. Plain and simple.

Great novels are complex. And while seasoned writers like Stephen King might claim they never plot, their years of experience in writing well-structured stories merely shows their brains are entrenched in solid story structure. They plot intuitively. Kind of like how, once you learn to ride a bike or snowboard, you don’t think about it. You just do it. At least, that’s what I do–whether I’m plotting or snowboarding.

I don’t have to use my plotting outlines and templates anymore because I know in my bones where the twists and pinch points and all those other milestones need to show up in my story.

But if you haven’t written a couple of dozen novels and “gotten the hang” of traditional, expected, solid story structure, you’re going to need some help.

And that’s why there are lots of books, podcasts, and courses on plot and structure.

I wrote Layer Your Novel because I couldn’t find a simple, clear step-by-step method of approaching novel structure. I floundered writing my first four or five novels until I learned there was such a thing. Continue Reading…

Choosing the Right Scenes to Go in the Right Places

December 14, 2020 in Nailing Scene Structure, Novel Structure with 1 Comment

My guess is that few novel writers spend time thinking about scene choice or type and the placement of specific types of scenes in a novel. Yet, it’s the key to solid story structure.

What do I mean?

Scenes are the backbone and heart of novels. There are many types of scenes and many ways to write them. Genre is the biggest concern because in order to write the perfect scenes for your story, you need to know whom you are writing to.

Too often writers sit down and pull a scene out of their heads. They don’t spend much time planning the purpose of the scene. This speaks to a bigger issue: lack of overall plotting. If you don’t understand novel structure and what the key turning points are, you will find it challenging to write the kinds of scenes needed.

Certain types of scenes are found in different sections of a novel. Setup scenes are focused on setting up character, conflict, stakes, and premise in the opening scenes. Scenes near the climax are about high stakes and high energy.

Middle scenes are about progress and setback, rise in action, twists and victories. Later scenes are intensified in action, emotion, stakes, consequences.

In general, scenes are either low-energy or high-energy. Too many introspective scenes showing characters sitting around thinking will bore readers. Conversely, too many back-to-back action scenes with little down time or character processing will tire readers and cause them to disengage with the characters. Continue Reading…